Ássá Stockholmmas, Liselotte lea Sámi multimedia artista Gironis eret. Son bargá earet eará filbman ja videoin, collage, njuohtá govaid, lea govvideaddji, bázzedahkki, bargá tekstiillain ja installašuvdnadáiddagiin.
Son lea ráhkadan badjel guoktelogi oanehis filbma ja vel guhkit filmmaid, ja lea geavahan sesolaš lihkastagat iežas barggus. Lea ráhkadan hybrida dokumentáraid, eksperimentála media, visuálalaš dáidagiid, musihka videoid, dánsun, ja fikšuvdna filmmaid. Wajstedt geavaha máŋggalágan iešguđetge stiillaid ja teknihkaid veahkkin ovddidit su politihkalaš ja estetihkalaš jurdagiid, omd animašuvdna, claymation, stop-motion ja superimposition.
Ollu Wajstedt`a filbmat dávjá geavahit čielgasit ja eahpečielgasit ollu iešguđetge multi ja hybrida fágasajádagaid, ja dan oaidnát maiddái filmmain nugo A Sami in the City (2007), Sami Daughter Joik (2008), A Soul in a City (2011), Kiruna Space Road (2013), The Lost One (2014), Drift Block (2020), ja The Silence of Sapmi (2021).
Based in Stockholm, Liselotte is a Sámi multimedia artist from Kiruna whose work spans film and video, collage, painting, photography, sculpture, textiles, and installation.
Based in Stockholm, Liselotte is a Sámi multimedia artist from Kiruna whose work spans film and video, collage, painting, photography, sculpture, textiles, and installation. Her experimental moving image body of work comprises over two dozen shorts and feature-length films. Spanning hybrid documentary, experimental media, visual art, music video, dance, and fiction films, Wajstedt mobilizes many different styles and techniques in the service of her politics and aesthetics, including animation, claymation, stop-motion, and superimposition. Many of Wajstedt’s films engage explicitly or implicitly with multiple and hybrid subject positions, as evident in A Sami in the City (2007), Sami Daughter Joik (2008), A Soul in a City (2011), Kiruna Space Road (2013), The Lost One (2014), Drift Block (2020), and The Silence of Sapmi (2021).
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